The following year, Krauss left Artforum (considered a rash decision at the time, given the magazines high profile and favorable reputation) and together with her former Harvard classmate, Annette Michelson, started the arts and culture quarterly journal October. In 1975 Krauss left Princeton and became an associate professor of Hunter College in New York City. to take a position at Princeton University, where she lectured regularly and directed their visual arts program. She also condemned a form of Rosenbergian criticism in writing: “In the 50s we had been alternately tyrannized and depressed by the psychologizing whine of `Existentialist criticism.” Krauss view of Modernism was evidently still developing in these pages, as she devoted more time to pinpointing faults with art criticism rather than elaborating a new strategy for examining art. The following year, Krauss published in the pages of Artforum what is arguably her seminal essay, “A View of Modernism,” in which she began to criticize Greenbergian art criticism for largely ignoring content and feeling. That same year, she divorced her husband and published her first book, an expanded version of her Harvard dissertation, entitled Terminal Iron Works: The Sculpture of David Smith.
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In 1971 Krauss was promoted to contributing editor for Artforum.
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Work as Critic and Professor After graduating from Harvard, Krauss became an associate professor of Art History at the Massachusetts Institute of Technology, and quickly rose to the position of full professor within two years. In her first year of writing for the magazine, Krauss published a well-received article entitled “Allusion and Illusion in Donald Judd.” from Harvard in 1969, but she had been writing art criticism for the journal Artforum since 1966. While Fried celebrated the Post-Painterly Abstractions of artists like Kenneth Noland and Jules Olitski, Krauss was a fan of the Minimalists, such as Donald Judd and Dan Flavin. Krauss and Fried soon developed opposing views on the direction taken by Modern art in the post-Abstract Expressionist era. One of Krauss classmates at Harvard was the art critic and historian Michael Fried, with whom she shared an early affinity for the theories and writings of Clement Greenberg. If it had not been for Smiths passing, and as a direct consequence, posthumous fame, it is doubtful Harvard would have allowed Krauss to write about a contemporary artist like Smith. Her dissertation was on the work of American sculptor David Smith, who had passed away in 1965. Immediately after graduating from Wellesley, Krauss was accepted into Harvard Universitys Department of Fine Arts (now the Department of History of Art and Architecture), where she received her Ph.D. Rosalind earned her Bachelors degree in Art History from Wellesley College in 1962, the same year she became married to the architect, Richard I.
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Her father instilled in Rosalind a love for the arts, and would frequently take her to museums in the Washington, D.C. © Copyright Wikipédia authors - This article is under licence CC BY-SA 3.Childhood and Education Rosalind Epstein Krauss was born to Matthew M.
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McCartney has said that while attending state school, she was a victim of bullying, as well as being a bully herself. As his daughter was being born by emergency caesarean section, Paul sat outside the operating room and prayed that she be born "on the wings of an angel." Wings toured from shortly after her birth in 1971 until 1980.ĭespite their fame, the McCartneys wanted their children to lead as normal a life as possible, so Stella and her siblings attended local state schools in East Sussex, one of them being Bexhill College. According to her father, the name of Wings was inspired by Stella's difficult birth. As a young girl, McCartney traveled the globe with her parents and their pop music group Wings, along with her siblings: older half-sister Heather (who was legally adopted by Paul McCartney), older sister Mary, and younger brother James. She is named after her maternal great-grandmothers (both of Linda McCartney's grandmothers were named Stella). Stella Nina McCartney was born in Lambeth, London, England, the second child of Beatles bassist Paul McCartney and American photographer Linda McCartney.